NOT KNOWN DETAILS ABOUT POSING FOR NUDE PHOTOGRAPHY

a far more serene classicism is perceived in central Italy, as in the Loss of life of Adam (1452–1466) by Piero della Francesca, whose nude figures possess the gravity in the sculpture of Phidias or Polyclitus, or even the Apollo and Marsyas (1495) by Perugino, with a transparent Praxitelian air. This classicism had its fruits in Raphael's Parnas